FSMD: Hunter S. Thompson

 

Source:Britanica- with a profile of Hunter S. Thompson.

"Hunter S. Thompson, in full Hunter Stockton Thompson, (born July 18, 1937, Louisville, Kentucky, U.S.—died February 20, 2005, Woody Creek, Colorado), American journalist and author who created the genre known as gonzo journalism, a highly personal style of reporting that made Thompson a counterculture icon. 

Thompson, who had a number of run-ins with the law as a young man, joined the U.S. Air Force in 1956. He served as a sports editor for a base newspaper and continued his journalism career after being discharged in 1957. In the following years he also wrote two autobiographical novels, but both were initially rejected by publishing houses; The Rum Diary eventually saw publication in 1998 (film 2011). In 1965 Thompson infiltrated the Hell’s Angels motorcycle gang, an experience he recounted in Hell’s Angels (1967). The book led to writing assignments for Esquire, Harper’s, Rolling Stone, and other magazines. In addition to his irreverent political and cultural criticism, Thompson also began to attract attention for his larger-than-life persona, which was highlighted by drug- and alcohol-fueled adventures and a distaste for authority. 

In 1970 Thompson introduced his subjective style of reporting with the article “The Kentucky Derby Is Decadent and Depraved,” in which he was a central part of the story. A 1971 assignment for Sports Illustrated to cover a motorcycle race in Nevada resulted in perhaps his best-known work, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1972; film 1998), which became a contemporary classic and established the genre of gonzo journalism. First serialized in Rolling Stone, it documents the drug-addled road trip taken by Thompson (as his alter ego Raoul Duke) and his lawyer (Dr. Gonzo) while also discussing the end of the 1960s counterculture. The book featured frenetic artwork by Ralph Steadman, who illustrated many of Thompson’s works. In Fear and Loathing: On the Campaign Trail ’72 (1973), Thompson chronicled the 1972 presidential campaigns of George McGovern and Richard Nixon. Later works include The Great Shark Hunt (1979), Better Than Sex (1994), and Kingdom of Fear (2003). Thompson died of a self-inflicted gunshot wound."
 

From Britanica 

What I like and respect most about Hunter Thompson is that he was antiestablishment in the real sense. He was some Far-Leftist hellbent on taking down the American capitalist system and form of government. Or some Christian-Nationalist trying to take over the Republican Party and take America back to the 1950s culturally. He was antiestablishment in the real sense in that he did his own thing. He lived his own life, he worked for himself, he was freelance writer of freelance writers and only took assignments that he wanted. 

In a country and culture that's dominated by hipsters and faddists who would dive off bridges handcuffed (perhaps without any water to break their falls) just too look cool and be seen as cool and would do and say just about anything else just to look and sound cool, Hunter always did his own thing. He did his own thing, lived his own life, made his own decisions, took a lot of risks, and to me at least always perfectly represented what American freedom and individualism is all about which is the right to live your own life and be left alone. 

I don't have a lot of post about Hunter Thompson on this blog, but you're welcome to check them out.  

Hunter Thompson